Art as an explicit metaphor for power has never seemed so present. What is so brilliantly relevant is that the pair have claimed white spaces and hosted their own black cultural moment that has the world talking. It is abundantly clear that the power couple are effectively inserting themselves into the Western art canon and deftly highlighting the importance of a diversity of representation in such traditionally hallowed halls. This invites the audience to take in an entirely new narrative, one that is direct and beautiful in its celebration of an (often intensely capitalist) sense of the many virtues of blackness. Shot in a way that allows Beyonce and Jay-Z to almost obstruct the globally renowned works behind them – kneeling, swaying and smiling in the process – images of black bodies directly challenge the limited portrayals of blackness that audiences are used to seeing in museums. The video, which was directed by Ricky Saiz, who previously directed the “Yoncé” video, and produced by Iconoclast, intersperses close-ups of the Louvre’s most famous artworks – most prominently Da Vinci’s Mona Lisa and Jacques Louis David’s Consecration of Emperor Napoleon and Coronation of Empress Josephine. JAY and Bey’s appreciation for artevidenced by the pair dropping 4.5 million on a Basquiat piece (Mecca, 1982) back in 2013 has even rubbed off on their daughter, Blue Ivy, who purchased. That narrative being that blackness does not belong in galleries, that black art does not hold the same value structures. They literally occupy a white space with images of black love and black unity – understanding that it was the institutional exclusion of these images that allowed a pervasive white-dominated narrative to govern the collective consciousness. This is perhaps the most direct statement concerning the redressing of an oppressive, exclusive power structure that the power couple have ever made. Le 3 janvier dernier, le Louvre a annoncé avoir atteint son nombre record de visiteurs en 2018 : 10,2 millions de personnes ont visité l’institution. The couples plundering of almost the entire canon of art history for maximum effect is no more on display that in the video for APES** T. This became even more apparent with the surprise release of Everything is Love, which dropped during the universally praised On The Run II tour, which itself offers a paean to African American identity. She has an astute ability to plunder high and low culture to make her own output appear completely fresh and relevant. Oshun is the goddess of beauty and love who unleashes her wrath when provoked.īricolage – or the construction or creation of a work from a diverse range of cultural references that happen to be available – is keenly at work in the scope of Beyonce’s artistry. In her visual album Lemonade, Nigerian influences were woven through with numerous references to Oshun, the Yoruba mother deity, whose colour is yellow. From pop to politicsĪs two of the most prominent African-American musicians in pop culture, Beyoncé and Jay-Z have played increasingly visible political roles – from campaigning for former president Barack Obama to championing the Black Lives Matter movement.īeyoncé, in particular, has referenced the richness of African culture in recent years. The Great Sphinx meets the Great Carters.Ĭaravaggio would’ve been honored.Mambéty’s son, Teemour Diop Mambéty, told Buzzfeed: “We must welcome any creative exchange respecting the integrity of the works and their authors.” Despite this, for many, this referencing is important in that it highlighted an African film that, on release, generated intense political debate about colonialism and heritage.
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This the happiest the Venus de Milo has looked in centuries. Not now, Jacques-Louis David and your so-called virtuosic “neoclassical style.” Napoleon can be crowned later. (Suck it, d’Orsay.) Watch the video in all of its glory, and then come back here for the most iconic GIFs. Is it good? We can’t dictate your musical preferences! Listen here for yourself! But the video they released for one of their tracks, “Apeshit,” is a visual feast for the eyes, mostly because they were given private access to the Louvre for some art historical shenanigans. Beyoncé and Jay-Z, sensing your desperation for a Song of the Summer - er, Song of the Year, okay, Album of the Year - winner, released a surprise joint album, Everything Is Love, on Saturday evening.
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A moment of silence for other musicians releasing new music for the remainder of the summer, please. PEOPLE - Beyoncé et Jay Z joueront 'à guichets fermés' les 12 et 13 septembre au Stade de France pour les deux seules dates hors des États-Unis de leur tournée commune.